the debut in the first 12- sees dinkis and paul cart with the silence of dark people -three originals written by gabriele mineo in collaboration with his friend paul cart, and for closing this wax release a fantastic remix by impellizzeri & stupia. a work that embraces melodies and emotions at the same time, with the idea of creating something modern and original to convey these emotions in your hearts.

tasteful nudes brings frankfurt-based producer janis into the fold for release number seven, you cant see me. a founder of the house is ok label and contributor to mirau and smile for a while, janis brings ravishing melodies and impeccable sound design to this three track ep. playful but pounding, the title cut featuring vocals by eva kruijssen teases listeners into a game of dancefloor hide-and-seek. meanwhile, tender love wraps dancers in fuzzy synth lines and hazy vocals by denise frickenschmidt, as a deep, creeping bass line warms their feet. the rustic majesty of es nestchle, strung with samples recorded in the family cottage, sets hearts aflutter with soaring strings and swelling melodies. the record artwork features an original photograph by chicago artist olivia coran

the new series of 030, come out with its first release seeing as the protagonist the label owner, micol danieli, along with a collaboration with anb, and a contribution by lakker. dark sounds expressing an experimental concept in the first part, while employing soft melodies on the other side, so as to balance against a trip in a kind of labyrinth. creating a symmetry between them.

slammin 4-tracker from canadian producer (audio culture, turbo, hemlock) featuring jackin, club-ready heaters with melodies that hold up outside the party. guest vin sol (soo wavey, unknown to the unknown). support by martyn, james friedman, laurent garnier, alinka ...

in part 2 of the laffer ep marco bernardi is going head down, straight ahead and striving for energy. attack of the dessert stormers is an overload of dark electro power, six minutes of squirming bassline-driven movement with surges of intensity from analogue bleeps and subtle drum pattern shifts. theres no let up on the flip side where two sliders brings equal force but in a more techno style. right from the start youll be grabbed by the bassline, but this one rewards extended listening as the track develops progressively with new melodies and metallic touches taking you deeper and deeper.

this acetate in 12- consists of 4 tracks of high quality, compelling and heartbreaking techno with a straight line that characterizes the label. on the a side we find a track of the spanish dj horacio cruz and the austrian niereich, otherworldly sounds, amphetamine melodies, excellent power to mix. for the b side we have prepared 2 songs of the both spanish djs c-system and david meiser, two artists in full form, lovers of most hellish sounds. ultimately this label morforecs 003 it is a timeless vinyl designed as a perfect tool for dj booth engineers, techno lovers accuracy.

praised by pitchfork, fact and stereogum, this tel aviv trio s music has been compared with the likes of james blake and sbtrkt. having clocked 500.000+ views for their award-winning move on video, garden city movement return with a stunning new 5-track ep that showcases their mix of glitchy r&b-infused programming and euphoric pop melodies. pressed on 180-gram heavyweight vinyl housed in a full colour sleeve, this edition is limited to 500 copies worldwide.

swedish house hero tiger stripes steps to the barnhus with twilight – a high-octane destroyer of clubs loaded with thunderous drums and shadowy yet sweet organ melodies. the dub version strips the track right down while adding some extra crash ‘n boom before studio barnhus comrade hnny closes things out with a slow-swingin spook story recorded straight to cassette. vinyl only until further notice.

johanna knutsson and hans berg s second output from their ufo station recordings is a piece of inspiriting space techno. music that reduces the force of gravity and makes your feet feel light and springy. music that makes you lift your head and gaze dreamily out the panorama windows as glittering melodies trickle down your spine, making you shudder with pleasure. a record overflowing with profound yet tender caresses of sound from the alien duo that will light up dance floors all across the galaxy.

sk_eleven is a new imprint focused on releasing original tracks from setaoc mass, uk. this venture will showcase old and new material with a view for quality, classy dance floor techno in its purest form.
setaoc mass - codes ep derives from where he spent most of his life, in and around manchester. the first release on sk_eleven showcases his style and love for tripped out melodies and driving low end. always adding the light to the dark in his productions.

as big fans of red axes, were happy to welcome niv and dori to the label. their first release for hivern is pil sagol, a three-track ep that features some of their most adventurous material to date. the title track is a slice of shamanic house full of playful melodies, dripping textures and steady rhythms that result in the sonic equivalent of psychotropic trip through the jungle. me and abra in ruanda drops the tempo but keeps the mind-expanding effect with its mangled brass sounds and ceremonious pads. todum todum is the most dance floor-driven cut of the ep, building tension through distorted toms, reverberant claps and an unrelenting bass line whilst keeping the narcotic vibe of the whole release through highly enchanting cosmic melodies. the 12inch comes in a captivating sleeve by barcelona-based designer xavier marin.

manu delago combines his mastery of the hang – a rare and enchanting instrument – with bold arrangements, irresistible melodies and multi-layered beats on his tru thoughts debut silver kobalt. the young austrian composer/multi-instrumentalist is highly in demand and has worked with björk, anoushka shankar and the cinematic orchestra. this ambitious lp brings his stunning solo project into the spotlight like never before, drawing influence from pop to the avant-garde and featuring guest vocals from isa kurz, anil sebastian and rahel.

amsterdam based cubicolor have established themselves as one of house musics most exciting new names, with early singles next planet and got this feeling picking up support from the underground all the way up to bbc radio 1s pete tong. their first release of 2015, the magnum ep sees them develop their warm, indie-leaning melodic sound with three beautiful cuts first heard in their recent anjunadeep edition mix. title track magnum is a luscious rolling juggernaut, driven by head-in-the-clouds melodies and anthemic, glowing chords.

the music strahil velchev alias kink creates for the 12-inch format is as playful and fanciful as it is functional and precise. his first outing for running back is no exception. inspired by the hardware of the same name, his cloud generator ep makes the most use of that. computer nerd symphonies and cyberpunk melodies for clubs, roofless raves and virtual racing games. wilhelm reich and william gibson would enjoy this. oh, and there is a breakbeat mix on here as well.

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

early support from raresh, fred p. julietta, dana ruh!! after a first year of spellbinding releases, sol asylum returns in 2015 with a fresh various artist’s compilation featuring three finely crafted tracks from the sol asylum crew to kick-start the labels second year. bringing together a family of artists who have been there since the very beginning. starting off with the odd boys danny and damian, we go all the way back to the first release with a brand new remix of broken spell. whisking us away to a parallel universe of this odyssey, this remix is masterly conjured into a percussive exploration of the planet of odd. following the odd ones, julie marghilano unleashes another side of sol asylum with dragon drops. she unveils her known atmospheric soundscapes but with a heavily detailed rhythmic twist, made by experimenting with her field recordings to create a more stripped down sound that shows her range and versatility. last but certainly not least, miss jools calima brings the ep to a triumphant closure like a mystical fog. the elements of the track melt into drowning synths with crackling percussion and the elegantly designed grooves that levitate us steadily through the hypnotic melodies. the percussive strength of each track, while still being diverse links this collaboration of like-minded family members together as a cohesive potion.

2 sleazy, obscure, top shelf chicago basement tracks of the highest order here, dug straight from the trax archives of 1988 & refreshed for 2015! fantasy is a creeping, sinister, rough hewn spoken word banger that has all the things we love about these tunes, dark synths, frenetic drum programming & those lyrics! classic material indeed from short lived production outfit pleasure zone. flip it over for the b-side i cant understand & an instantly familiar vibe jumps out at you, the raw claps, basic melodies & the story of a lover left high & dry recounted over tough jacking rhythms. essential! re-mastered, re-pressed & re-released with the full co-operation & participation of all rights holders.

impossibly rare sweet soul & funk from the vaults of miami s bold records (a subsidiary of the mighty t.k. disco label). there s scant information on reid inc as a group but the album boasts some gorgeous soulful melodies from the all female personnel and features stellar string & horn arrangements from miami studio stalwart mike lewis (blowfly, kc & the sunshine band, latimore, fern kinney) & is produced by the mighty clarence reid who has written, recorded & produced too many records to list here (betty wright, wilson pickett, dusty springfield, bobby byrd, gwen mccrae) throughout his 50+ year career. this is a real rarity, a record that fetches top, top dollar ($500 plus) on-line among soul, funk & disco aficionados. -what am i gonna do- has been comped numerous times but this is the first time the whole lp has been re-mastered & re-issued on vinyl (having previously only been re-released on cd in japan) brought to you in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

scuba s musical biography has been a story of constant change. over the past eleven years, his music has zigzagged through bass, techno and house, at times dark and contemplative, at others bright and anthemic. a look at his discography bears out this creative restlessness: from the shadowy rhythms of a mutual antipathy and triangulation, through the soaring melodies of personality and the cardinal -adrenalin- ep. claustrophobia is more than just the next phase in this development—it s a culmination of everything that s come so far. as its name implies, the record is tense and inward-looking, but it s also rich and dynamic, nimbly moving through a panorama of moods and styles. rhythms expand and contract from one song to the next, textural passages give way to shimmering strands of melody, found sounds and field recordings breathe life into ambient sketches. the album is modern and understated throughout, but also touched with something unrestrained: the exhilarating energy of classic rave.

recorded from rudys homemade studio in hampton virginia before he cut *searching for love* on harvest records around 1983, he did this wonderful modern synth winner. with rudy just having one pass on a reel of this song, we remastered it a little at the super disco hq to give it a brighter feel. sure its pretty lo-fi but the quality of the song writing playing and melodies are more than enough to let is see the joys of a turntable. this is once again a limited press.

vectors 2 introduces another five new artists to the power vacuum roster: side one erupts with vacated, flinging heavyweight techno ingot *quadrat* neatly into ones medulla oblongata. a road tested club shredder, crashing straight in and out while unequivocally touching the sides. one of uk dance musics true mammoths jerome hill promptly receives the baton and lays down atypical workout *plastic jam*, an overbearingly energetic percussion / vocal rinse. on the other side, cosmic event cylob weighs in with *spyworld*. libidinal bass patterns, irresistible melodies and not a wasted note from one of electros most powerful minds. breakaway civilization of one: anklepants follows with *y.h.i.y.p.* after receiving a free bintus makeover - electro style. finally cornwallis spoken word effluvium *at the disco*, a charmingly rancid personal account to which the prancing oaf in each of us can surely relate.

daniel savio - the swede who coined the term “skwee” back in 2006 when the first odd-sounding electro-funked and tempo-twirling 7inches came about from finland and sweden. his 6-track record for laton consists of true-to-the-game skwee sounds and rhythms incl. oriental-like melodies that has been penetrating the genre for years. harmonic in melody, diverse in tempo from the originator. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. “holtiton” was originally released in 2012, limited and is back on demand.

hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top.

jon beall finally follows up -la caccia- with an even deeper and more diverse record. 4 tracks, one for everyone and every one of them for the people. stylish house with vocal snippets, driving electronics with melodies, bass music and techno.

• hotly anticipated fifth release from this brilliant label
• printed disco sleeve
blue hour s fifth release introspective continues to explore faster tempos in classic dance-floor fashion. bright atmosphere and emotive melodies compliment warm staccato drums over three tracks of effective techno.

the title track -loom- builds around an electro acidic arpeggiated bassline that keeps intensity high through the roof and is topped with great drum and effect arrangements. -that s not you- goes into a deeper direction with a big bass house influence, killer breakdowns and great synth work. -bang- closes this release with style, this one is has a great bouncy groove, vocal stabs and dark twisted melodies making your mind trip all over the place.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
hotel victoria is the debut ep from two talented editors from poland, holiday 80. holiday 80 inherited a massive collection of wax at a very early age, inciting a deep and lifelong respect for vinyl and the dark grooves. this instilled a profound love not-to-be-contained by a single genre. each song on this palette reflects that diversity and spectrum. from the smooth intro on kto da&#322, nam deszcz with its easy groove to the boogie-blaze of bez tego i owego. the rolling synth bass and sizzling strings of zabawa w stylu folk are at once dark and light in a tense contrast. as comfortable on the b2 as in the basement, we hear the acidic melodies of teleniedziela.

jura, the sophomore full-length from the swiss duo larytta, is a galvanizing synthesis of essential grooves and effervescent melodies. it took years to finish the record!

we are pleased to announce the release of dr burisch by perseus trax on crimes of the future. after releases on bunker, mos & chiwax (to name a few), the ep is a four track soundtrack to some forgotten alien abduction documentary... maybe. starting off with rainy tuesday and its skipping pitch shift melodies, and followed by lotus protocol and its almost richard d. hook. on the flip we have the title track, slow and building, very much the theme of the piece. the ep finishes with electrical surge, and its static crackle of radio interference and damaged power lines.

high quality virgin vinyl - incl dl code, melbourne-based producer andras fox (a.r.t. wilson) creates a tactile and unique form of antipodean funk that feels equally informed by garage house and new age musical traditions. his productions sound appropriate on both the dance floor and in the lounge, boasting a casual danceability and mood that seamlessly adapts to both environs. on vibrate on silent, wilson creates g-funk with a surf sensibility, congas, shakers, electro-acoustic melodies coalesce with deep grooves, subtle hooks and a laid-back, oceanic ambience.

nice price deal !!! marking the first output of cymasonic s offshot vinyl-only label and collabaration with subwax distribution, the balder ep is a two-hundred copy, hand stamped entry into the world of cymawax. there s no better way to start than with four quality tracks of hot and crunchy norwegian techno with soul by trulz & robin, under their new moniker for otherworldly machine sounds: ksmisk. the duo from oslo have been a force in norway s electronic music scene for over two decades, but their current project is set to bend and exceed all expectations. the title track makes full use of spacial effects to create the kind of landscape deserving of the cavernous exchange of industrial rooms or the breathing walls of smaller sweatboxes. its energetic arpeggiation carries the driving, raw bass line home. less linear and more neurotic, -jonson- squelches its way into existence. next, -water- is as fluid as the name suggests, using deep, delayed dub chords to sustain listeners during its eight minute life. finally, the release ends on -tehjerk- which is full of electricity, heavily charged with distortion and powerful drums before opening up into a euphoric waterfall of melodies. it s fitting that this chronicle should end up pressed onto wax, a monument to the physical launch of cymawax and trulz & robin presenting ksmisk.

st. petersburg resident kito jempere is back on dirt crew with his first full release after his debut album on fata morgana and a great ep on freerange last year. following his great contribution to our deep love series we now welcome him with these two unique tracks. ranging from house to disco and jazz influences, kito found his very own style and switches easily between them. up tempo and energetic tracks with great melodies, driving bass lines and clever sample use.

here, you re going to get into a serious classy bunch of tracks, where melodies interlace with round beats and basslines. the wood lesty s voice will enter your brain and will never leave it. the cherry on the cake (already rather tasty) is vid reconstruction mix: a little 15 minutes diamond where he settles gradually his talent, involving the famous voice of the original mix with a compulsion of claps to end in second part of the remix with angelic choirs deserving of the most beautiful opera...
support: raresh tini faster anthea ada kaleh...

the soo wavey head honcho, and self-confessed gear hoarder, drums up 4 versatile trax with a big nod to the chicago roots. flanging melodies, vocal snippets on repeat and the one finger stabs that just hit the spot

it is time to release a solo joint from the prized camelphat, who joined the jeudi family some time ago. with their primetime bombs animal & love 4 the d.o.g.g, camelphat proved they know how to work the floor and their beautiful interpretation of stevie wonders cherie amour is still keeping us warm on these cold nights. now the two camels are back with a full three track ep for jeudi records showcasing, once again, their extraordinary talent for warm bass lines and big melodies.

a1 facade - tampa bay is tried and tested house weapon that we ve had since the label began waiting for the right fit, he comes with his garage beats, deep chords and infectious melodies - simple, driving, effective.
a2 prima - dont stop - lht label co partner delivers a twisted mutating late night tool that instructs you to dont stop dancing til the sun has well and truly risen or at least the smoke has cleared.
b1 jamie blanco - unknown reason (alphonse drum prequel) - jamie met alphonse in the studio again, they messed with his track and got the dub machine working overtime on the 808, look out for main mix on the next release.
b2 kruton - lagoon - the sleeping giant here on b2, kruton is not be messed with, he channels a certain mr atkins here and delivers a dream machine opus.

nice price deal !!! the very first release of the new >somos< imprint curated by alejandro mosso. a label intended to enlarge the family and serve as a platform for related artists who share similar aesthetics. expanding the mosso label manifesto into a larger community. ! joachim holm, a young talented and skilled producer from trondheim (norway), wrote some unique and mesmerising wooden melodies which became the foundations of these two songs. alejandro added some extra production and a beautiful record came to life. ! tre rytme, the rhythmic version, focuses on the main melodic motif while adding an intense and pulsating beat. morphing slowly but firmly into a club burner. a spring optimistic piece ready to add a spark of life into any dancefloor. ! tre melodi is the soft and mellow version. a 12 minutes ride of polyrythmic, repetitive and hypnotic riffs, recalling american classic minimalism in an innocent and playful manner. take the time to listen until the end, it promises to be a comforting experience.

following on from the the likes of the excellent son.sine re-issue, delsin kicks off 2015 with another one in the form of micronism s steps to recovery ep. originally released on nurture records in 1999, the ep, which comes in black and limited coloured vinyl, is a bonafide deep house classic from the short live career of new zealander denver mccarthy. engaging causelss mercy is a contemplative, atmospheric affair with soft drums and celestial pads that could roll and roll forever and you d never get tired. the quiet mind is just as deep, but the spiralling pads and rippling melodies here are more colourful and charming. both tracks are hugely spacious, luxurious affairs whilst constructing space on the flip is a more stripped back and humid number that is more enclosed and oppressive for cosy back room spaces. finally, the title track is a playful, elastic house track with heartwarming hooks and pinging drums. this tasteful ep shines a light on some definitively deep tracks that really do deserve the attention that will now inevitably come their way.

mnlth, aka dave monolith, returns to weme records with his second ep time part of the final wave of rephlex certified braindance artists, mnlth released his 2011 debut album welcome on the iconic label. time offers 5 tracks, 26.20 minutes total time all tried and tested on dancefloors across europe and beyond by mnlth himself but also his former label boss richard d. james. time was written between 2009 to 2011. its tracks range from the electrocuting feel-good acid anthem that is time, the square bass plucking electro bouncer headlight, rushing melodies and pads from my rush chords and harrier 2, ending with the cheeky happy-go-lucky 808 track, spwint

long standing sonic groove artist realmz returns with his latest release nocturnal realm. a stunning four track ep of diverse techno sounds.the ep starts off with air supremacy a mechanical broken beat laden industrialized techno track that oozes with machine funk. continuing into the depths of the sonic groove is circulation. a rhythmic 4/4 pulsating workout which commands its way thru the speakers with a swath of fury. swinging the mood over into deeper melancholic grooves are the thought provoking hypnotic melodies of songs metamorphic and architecture of time. two tracks that dig deep far inside your mind. realmz clearly shows creative versatility on this ep. another great releases from this very original sounding artist

brighton s ever-cultured black key label pushes on with another house connoisseur for its next release, namely the venerated scotland-based deep house producer brad peterson. opening up the ep is -monsoon- a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. -sit back- is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. the classy, cultured work continues on closer -cloud remedy- with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. classic but not overly reverential of the past, it s a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for.

for those turned on by the far-sighted, sci-fi inspired sounds of detroit deep house and techno, this ep from michael zucker s finale underground imprint (an offshoot of his finale sessions label) should be an essential purchase. with the likes of patrice scott, keith worthy and luke hess involved, you d expect the quality threshold to be high. it is, of course, resulting in a quartet of killer tracks. hess hypnotic techno jam -tolox- is a definite highlight, though it pales in comparison to the analogue futurism of keith worthy s brilliant -cyclops-. best of all, though, is scott s -journey into the unknown-, which bobs, weaves, bubbles and spits to the rush-inducing deep house sound of undulating synthesizer melodies and classic, transmat-style motor city rhythm

following his appearance (albeit in remixed form) on the debut 12- from keyboard masher s pleasure unit imprint, norwegian eccentric skatebard is given the honour of releasing the label s second ep. apparently all three tracks are vintage cuts from the archive, previously unheard but original recorded straight to tape in his home studio. there s naturally much to enjoy, beginning with the scandolearic-goes-rave synth-house madness of -react 2 rhythm- - all urgent, swirling beats, epic synthesizer melodies and mid- 90s us garage influences. there s more surging, nu-disco goes-house fare to be found on -it goes on & on (the bassline)-, while -pingu- is a joyous chunk of chugging scandolearica blessed with tactile shaker percussion and a jaunty, rock solid synth bassline.

the common thread of the three songs contained in it is definitely the rhythm, on which glide sounds and tangles of micro melodies. the title track also is reinterpreted in the remix of rush arp & maurice giovannini, continuing on the same path marked minimalist hypnotism, a defined time microhouse.

italo deviances boss marcello giordani strikes back with a wonderful and stylish piece of real electronic disco. danza meccanica is a bass driven, snuggy slice of sexy early 80s disco. azione motoria is an hybrid between disco and detroit techno, spacey, with analogic arpeggios and melodies from other dimensions. thats gonna hit you like steroids!

chaotic, acidic jack tracks are the order of the day here, dancer aka sidney winters, dropped this obscure bomb on trax in the peak year of 1987. both sides are mixed by the late, great frankie knuckles and have all the trademarks of his touch, tough drum machines, italo inspired melodies and thundering bass-lines. these monster tracks sound absolutely massive and will surely do damage when dropped today.

legotek s first lp is brought to you by tel aviv based dot. imagine one of those special sets. the kind of musical story that sticks in your mind for ages, you always remember and in times can scoop endless seeming power from. well this 8-tracker from dot just about fulfils this kind of stimulus. each track can be seen either as one special individual or the whole package as one big flowing journey. mixed together this could easily turn out as a live set. now then, about the unique music and its seductive vibe. staying true to the underground heart of legotek dot has managed what many aim for in effort. a vibrant, lively and deep sound constantly accompanied by strong kicks and pumping melodies. the analogue core of the story has been given the breath of life to become a classic piece of deep house history.

what do people like balihus daniel wang and royksopp have in common? they write nice things like this about our (not so) new talent kid on the block. polosh superproducer maximilian skiba! music from a very good young polish producer, warm chords, funky melodies, think bass and guitars by chic meeting a string section by beethoven, with a touch of italo-disco and almost flamenco-like soul daniel wang he produces very nice italo disco tracks, im a fan royksopp. shanghouse is an instant hit. i would say instant classic if this wasnt so daft and meaningless. if you just heard it 5 times and feel the need to put it on another time. thats shanghouse by max skiba. then theres a great remix by victor rosado and a great slightly diverse prins thomas edit of korsakot another track.

berlin based mutewax records strikes again with its eagerly awaited second release, various artists 02. label founder mutecells cursed casts a long dark shadow over the dance floor with an electrifying and slightly acidic melody. hector oaks reductions gets straight to the point with an aggressive and powerful followup to his last release on key vinyl. msdmnr takes a more placid approach with vortex vapour, building energy with clear and crisp progressions. urbano employs soft melodies to counterbalance a chilling journey into an unknown world.